Alfred Korzybski introduced general semantics in his 1933 magnum opus, Science and Sanity. As the title indicates, general semantics is dedicated to the spread and enhancement of sanity, both individually and collectively. As the title also indicates, Korzybski drew on scientific method as the basis of his system, which he characterized as non-aristotelian, because he recognized the logical and psychological problems associated with longstanding forms of thought and language use.
But what, exactly, is sanity? Or more appropriately, what does the term sanity refer to, and how has it been used and misused? The root meaning, derived from the Latin, is associated with health, the same root as sanitary, sanitize, and sanitation, and the same connotation as the saying, being of sound mind and body. It follows that sanity is associated with the concept of mental health.
Sanity is also closely associated with rationality, and mental health with adjustment to reality. In the judicial system, sanity is associated with the ability to understand the consequences of our actions. For Freud and his followers in the psychoanalytic tradition, sanity means being free from or cured of mental illness.
Others view sanity as a social construct that varies from culture to culture, rather than an objective phenomenon. Thomas Szasz famously argued that the concept of sanity is closely associated with social control in his 1961 book, The Myth of Mental Illness.
And while sanity, as a label, is most often applied to individuals, for Gregory Bateson and others who followed his cybernetic, systems-oriented approach, sanity resides in the relationship between individuals, including families and other groups. For Erich Fromm and others, entire societies may be diagnosed as sane or insane, and by extension we could do so for the human race as a whole.
In taking up the question of, what is sanity?, our panel will consider whether there is such a thing or phenomenon as sanity, whether it is possible to identify an objective form of thought and behavior that can be judged as sane, and if so, how are we to recognize it? Is it simply the absence of mental illness or emotional distress, or is there the positive presence of something more? Is sanity something we have, something we are, or something we do?
Further, what is meant by the term sanity, how has the term been used, and what are the appropriate and inappropriate contexts for its use? Also, who uses the term, who ought to use the term, what role does power, be it professional and institutional, political, or symbolic, play in the use of the term?
And, by and large, are we, as individuals in our contemporary culture, still sane, and what can we conclude about the relatively sanity of the groups that we are a part of? Is society as a whole sane by definition, or by diagnosis? Have there been societies in the past that have gone insane? And as a society, do we still have our own sanity? Or have we lost it?
The participants on this program, held on December 19, 2018, were:
Nancy Colier is a psychotherapist, interfaith minister, author, public speaker, mindfulness teacher and relationship coach. A longtime student of Eastern spirituality, mindfulness practices form the ground of her work. She is the author of The Power of Off: The Mindful Way to Stay Sane in a Virtual World (Sounds True Publishing), Inviting a Monkey to Tea: Befriending Your Mind and Discovering Lasting Contentment (Hohm Press), and Getting Out of Your Own Way: Unlocking Your True Performance Potential (Luminous Press), and a regular blogger for Psychology Today and Huffington Post.
Lori Ramos earned her PhD in Media Ecology from New York University. Her early research and scholarship explored the role of media in shaping conceptions of and attitudes toward literacy. More recently, her interests in communication have evolved to include psychotherapy. She has received an MSW from Fordham University with a focus on clinical social work and also completed EMDR training for trauma therapy. She is currently an Assistant Professor of Media Studies at William Paterson University in New Jersey and a staff therapist at Blanton-Peale Institute and Counseling Center in New York City.
Frederick J. Wertz is Professor of Psychology at Fordham University and Interim Dean of Fordham College at Lincoln Center, a Fellow of the American Psychological Association, winner of the 2014 Rollo May Award for independent and outstanding pursuit of new frontiers in humanistic psychology by the APA's Society for Humanistic Psychology. He is co-author of Five Ways of Doing Qualitative Analysis (Guilford Press), editor of The Humanistic Movement (Gardner Press), and co-editor of Advances in Qualitative Psychology (Swets & Zeitlenger), and Carl Jung in the Academy and Beyond: The Fordham Lectures of 1912 (The Spring Press).
The panel was moderated by NYSGS President Lance Strate, Professor of Communication and Media Studies, Fordham University.
It was a healthy and lucid discussion!
On January 26th, 2018, we held the first panel discussion on this topic, and promised to follow it up with a second program held on November 28th, 2018, commemorating the 50th anniversary of Neil Postman's formal introduction of the term media ecology. The occasion was the 58th annual meeting of the National Council of Teachers of English, held in Milwaukee on November 29, 1968. Neil Postman gave an address entitled "Growing Up Relevant" as the main part of a program session entitled Media Ecology: The English of the Future. This talk was later published as a book chapter in the anthology, High School 1980: The Shape of the Future in American Secondary Education, edited by Alvin C. Eurich, where it appeared under the title of, The Reformed English Curriculum.
In his 1968 address, Postman introduced media ecology as a field of inquiry that he defined as the study of media as environments. A year later, in Teaching as a Subversive Activity, co-authored by Charles Weingartner, he introduced “the Sapir-Whorf-Korzybski-Ames-Einstein-Heisenberg-Wittgenstein-McLuhan-Et Al. Hypothesis … that language is not merely a vehicle of expression, it is also the driver; and that what we perceive, and therefore can learn, is a function of our languaging processes.” And in conjunction with the 1974 Alfred Korzybski Memorial Lecture sponsored by the Institute of General Semantics, Postman delivered an address entitled, Media Ecology: General Semantics in the Third Millennium, in which he described media ecology as "general semantics writ large."
This 50th anniversary offered us the opportunity to take up questions such as, what has media ecology and general semantics contributed to the field of education, to teaching and schooling, and what might be contributed in the future? What has media ecology and general semantics contributed to the study of language and the subject of English, and what might be contributed in the future? What can we learn about Neil Postman in particular, and his views on education, communication, and culture? To what extent have things changed over the past half century, and to what extent do they remain the same?
The participants on this program were:
Thom Gencarelli, Professor and Chair of the Communication Department at Manhattan College
Terence P. Moran, Professor of Media Ecology, New York University
Michael Plugh, Professor of Communication at Manhattan College
Madeline Postman, Teacher in the New York City school system for over 20 years, currently teaching at the Corona Arts and Sciences Academy in Queens
and the program was moderated by NYSGS President Lance Strate, Professor of Communication and Media Studies, Fordham University.
It was an instructive and enriching discussion!
Recordings from the 66th Alfred Korzybski Memorial Lecture, and the Language and Meaning in the 21st Century Symposium that followed, are available for viewing on the Institute of General Semantics YouTube channel.
The AKML and symposium, co-sponsored by the New York Society for General Semantics, were held at the Princeton Club in New York City, and featured many NYSGS regulars, as well as a great many out-of-towners, not to mention participants from all around the world.
When this year's regularly scheduled Korzybski Lecturer was forced to withdraw for personal reasons, NYSGS President Lance Strate was asked to deliver the 66th AKML instead. The title of his lecture was, "Amazing Ourselves to Death: Contemplating the Technological Tempest of Our Times". That same evening, October 26th, 2018, NYSGS Board Member Ben Hauck was presented with the J. Talbot Winchell Award. NYSGS Treasurer Martin Levinson and Board Member Thom Gencarelli were among the presenters during the GS symposium that took place on October 27th-28th, 2018.
It was, without a doubt, an intellectually rich and diverse weekend!
American politics over the past several years has proven to be highly eventful and highly controversial, rendering the upcoming midterm elections highly consequential. The role of language and the use and misuse of symbols in politics, along with their relation to facts and political realities, have long been a concern for general semantics. Having organized several lively and engaging programs on this topic during and after the 2016 US Presidential election, we were pleased to begin our Fall 2018 programming on October 3rd with a panel discussion that explored current American political discourse with little more than a month to go before the midterm elections that will decide the composition of the US Congress in the coming year.
Thom Gencarelli, Professor and Chair of the Communication Department at Manhattan College, member of the Board of Trustees of the Institute of General Semantics, and the Board of Directors of the NYSGS, and the new editor of ETC: A Review of General Semantics.
Arthur S. Hayes, an Associate Professor of Communication and Media Studies at Fordham University, is the author of Press Critics are the Fifth Estate: Media Watchdogs in America; Sympathy for the Cyberbully: How the Crusade to Censor Hostile and Offensive Online Speech Abuses Freedom of Expression; and the editor of Communication in the Age of Trump.
The program was moderated by Lance Strate, Professor of Communication and Media Studies at Fordham University, Trustee of the Institute of General Semantics, and President of the New York Society for General Semantics, as well as author of several books including the award-winning Media Ecology: An Approach to Understanding the Human Condition; and Amazing Ourselves to Death, Neil Postman's Brave New World Revisited.
It was a compelling and captivating discussion!
On May 14th, the world lost one of its most celebrated, talented, and accomplished authors, Thomas Kennerly Wolfe, Jr., best known simply as Tom Wolfe. Wolfe earned his PhD in American Studies from Yale University in 1957, and worked as a newspaper reporter for a decade, writing for periodicals such as the Washington Post and the New York Herald-Tribune, as well as New York magazine and Esquire.
Wolfe pioneered the use of a personal, literary style in news reporting and feature writing that became known as the New Journalism. A best selling author, his nonfiction works include The Kandy-Kolored Tangerine-Flake Streamline Baby (1965); The Electric Kool-Aid Acid Test (1968); The Pump House Gang (1968); Radical Chic & Mau-Mauing the Flak Catchers (1970); and His Mauve Gloves & Madmen, Clutter & Vine (1976). His examination and critique of the contemporary American art scene, The Painted Word (1975), proved to be extremely controversial. His history of the early space program The Right Stuff (1979), was adapted as a feature film by Phillip Kaufman in 1983.
His book, In Our Time (1980), featured his own artwork, while From Bauhaus to Our House (1981), as a follow-up to The Painted Word, took on the topic of American architecture. Wolfe turned novelist with the publication of The Bonfire of the Vanities (1987), which was followed by A Man in Full (1998), I Am Charlotte Simmons (2004), and Back to Blood (2012). Hooking Up (2001) collected several works of his short fiction coupled with several of his essays.
Tom Wolfe was an early promoter of media ecology scholar Marshall McLuhan, famously posing the question, "What if he's right?" in a 1965 essay published in New York magazine, and comparing McLuhan to the likes of Newton, Darwin, Freud, Einstein, and Pavlov. Wolfe's last book, The Kingdom of Speech (2016), a critique of Noam Chomsky's approach to linguistics, was awarded the Institute of General Semantics's S. I. Hayakawa Book Prize at last year's annual Alfred Korzybski Memorial Lecture, which was co-sponsored by the NYSGS.
Wolfe is credited with coining a number of terms, including the right stuff, radical chic, the Me Decade, good ol' boy, and statusphere. As an author and journalist, he was truly a man of letters, to invoke an old fashioned phrase that fits well with the famous man in a white suit, as he was known. And as a student and scholar of language, art, media, and communication, as well as a writer, interviewer, and raconteur, he most certainly was also a man of words.
On June 27th, 2018, the New York Society for General Semantics honored his contributions, creative and intellectual, and celebrated his achievements with a special panel discussion on select aspects of his career and publications.
Martin Levinson, author of several books on general semantics including a forthcoming new edition of Practical Fairy Tales for Everyday Living, President of the Institute of General Semantics and Treasurer of the New York Society for General Semantics.
Lance Strate, author of several books including the award-winning Media Ecology: An Approach to Understanding the Human Condition, Professor of Communication and Media Studies at Fordham University, Trustee of the Institute of General Semantics, and President of the New York Society for General Semantics.
The program was moderated by Jacqueline Rudig, Treasurer of the Institute of General Semantics, and member of the Board of Directors of the New York Society for General Semantics.
It was a thoughtful and belletristic discussion!
General semantics is concerned with the ways in which language and symbols function as representations of our outer environment and our innermost feelings and thoughts. These representations function as maps of our external and internal realities. They help us to understand what we perceive and experience, they guide us in evaluating and navigating our world, and they give us tools for thought and action.
Different representations or maps may be more or less accurate or more or less useful in helping us to achieve certain ends. But different representations or maps may also help us to learn about different aspects of our reality, providing us with different perspectives, and abstracting out of external events different parts of the greater whole. What scientific modes of representation tell us about the world, for example, is quite different from what literary modes reveal, but each one provides us with knowledge that the other cannot.
The theatre is one of our oldest forms of literary expression, one that has an extraordinary influence on our use of language and symbol, from the Attic playwrights of ancient Greece and the introduction of the proscenium arch, and the unparalleled creative production of William Shakespeare in Elizabethan England, to the avant-garde experimentation of Bertolt Brecht in 20th century Germany, and Lin-Manuel Miranda's combination of hip hop and history in the Broadway hit Hamilton.
It follows that it is worth considering questions such as, what is unique to theatre as a mode of representation? What are its advantages and limitations, its problems and potentials? What are the relationships between dramatic performance and language and symbol, spoken and written word, play and script? Importantly, what role can theatre play in helping us to understand our world, in education, in social and political commentary?
Given that programs for the New York Society for General Semantics are held in the historic Players Club, founded by Edwin Booth, the greatest dramatic actor of the 19th century, as a social club "for the promotion of social intercourse between the representative members of the dramatic profession and the kindred professions of literature, painting, sculpture and music, and the patrons of the arts," a panel discussion on theatre was especially appropriate.
Emily Lyon, a Brooklyn-based theatre director and dramaturg who recently created a theatrical piece, How We Hear, inspired by Neil Postman's Amusing Ourselves to Death. Her other directing work includes The Summoning (Best Direction, Best Production: sheNYC), Sword & the Stone/The Tempest tour (Hudson Valley Shakespeare Festival), The Secret in the Wings (Hedgepig Ensemble), Women of Williams County (Best Ensemble: Manhattan International Theatre Festival), Interior: Panic (FringeNYC), Max Frisch’s The Arsonists (DCTV Firehouse), Some of the Side Effects (Best Premiere: UnitedSolo), and As You Like It (Geva Theatre Directing Fellow).
S. Brian Jones, Director of Operations for The Players, recently completed his masters in the Masters of Applied Theater program at CUNY School of Professional Studies. He has served as a Teacher in Residence and Arts Administrator with schools, regional theatre companies and social service agencies, conducted credential training workshops for teachers with Delaware Institute for Arts in Education, served as an advocate for Arts Education within the educational and government systems, and worked at Foundation Theatre, Freedom Theatre, Delaware Theatre Company, Christina Cultural Arts Center, New Castle County Parks and Recreation, La Jolla Playhouse, Horton Grand Theater, Ensemble Arts Theatre, Creative Management Group, Dorwell Productions, Vista Del Mar Child and Family Services, the 1199 Child Care Corporation, The Artist Playground Theater and Inside Broadway. Most recently, he worked as the Education Programs Manager for the award winning Off-Broadway Company, Epic Theatre Ensemble.
M*** S******* is a New York based actor, director and writer. As a performer, he has appeared on Broadway in the 39 Steps and off Broadway in Small World at 59east59, Checkers at the Vineyard Theatre, Tryst at the Irish Repertory Theatre, As Bees In Honey Drown at the Lucille Lortel Theatre. His directorial work has been seen at The Alley Theatre, the Fulton Opera House, Virginia Stage, the Westport Country Playhouse, Arkansas Repertory Theatre, George Street Playhouse and many others. His play, The Dingdong: or How The French Kiss, an adaptation of Feydau’s Le Dindon, premiered Off Broadway and has played around the country. His adaptation of A Christmas Carol, which he will also direct, premieres this December at Florida Repertory Theatre. Mark is a graduate of Brown University and received his MA in Communication and Media Studies from Fordham University, where he teaches film courses. *Name withheld by request.
It was a lively and dramatic discussion!
On September 28, 2016, the New York Society for General Semantics held its first Language of Poetry session, and we were happy to host our second such program on April 4th, 2018. The program was moderated by Teresa Manzella, a member of the Board of Directors of the NYSGS.
The original readings were prefaced by an Introduction by NYSGS President Lance Strate:
The introduction was followed by a performance by Martin H. Levinson, a member of the Authors Guild, National Book Critics Circle, PEN, and the book review editor for ETC: A Review of General Semantics. He has published nine books and numerous articles and poems. His latest work, a book of poems titled Signal Reactions , is due to be published later this year. He is the president of the Institute of General Semantics and Treasurer of the New York Society for General Semantics.
The performances continued with a reading by Patricia Carragon, an active member of the online poetry group brevitas, the PEN Women’s Literary Workshop, Women Writers in Bloom, and the creative writing workshop Tamarind, and an executive editor for Home Planet News Online. Her latest books are The Cupcake Chronicles (Poets Wear Prada, 2017) and Innocence (Finishing Line Press, 2017). Patricia hosts the Brooklyn-based Brownstone Poets and is the editor-in-chief of its annual anthology.